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Trigger
04/21/2018
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Mankind knew cinema even before the motion picture was invented
The Japanese artist and filmmaker Ryusuke Ito speaks about his love for special effects, the problems with showing films in an exhibition context and why cinema is here to stay
04/19/2018
Ich versuche, meine eigenen Wunschbilder zu schaffen
Die Künstlerin Antoinette Zwirchmayr spricht im Interview über ihre Arbeit "Schliere im Aug", die Rolle von Körperlichkeit und die Materialität von analogem Film
04/17/2018
3 questions for ... Mika Taanila
04/12/2018
3 Fragen an ... Jörg Buttgereit
03/15/2018
Collecting and Yearning
Norbert Pfaffenbichler, co-curator of the exhibition The Remains of Cinema, on the differences and commonalities between film and the fine arts, and on the significance of collecting
03/14/2018
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On view: The Remains of Cinema
A walk through our current exhibition "The remains of Cinema"
03/13/2018
Dem Kino geht es so gut wie nie
Der Experimentalfilmemacher und Filmhistoriker Hans Scheugl über die Sonderstellung des experimentellen Films zwischen Kino und Kunst, warum Österreich in der Geschichte des Experimentalfilms eine besondere Rolle spielte und was vom Kino "immer wieder überbleibt"
The Expanded Arts Issue
An expanded lecture by David Quigley on the friendship between artist George Maciunas and the filmmaker Jonas Mekas and the famous "Expanded Arts" issue, Maciunas edited for Mekas' magazine Film Culture
02/26/2018
Oh Darkness, oh Please Protect
The author and film critic Bert Rebhandl on cinema as centenary installation
02/21/2018
In Pictures: The Remains of Cinema
With exhibiton views by Markus Krottendorfer
02/20/2018