A walk through our current exhibition "The remains of Cinema"

Norbert Pfaffenbichler, co-curator of the exhibition The Remains of Cinema, on the differences and commonalities between film and the fine arts, and on the significance of collecting

The Japanese artist and filmmaker Ryusuke Ito speaks about his love for special effects, the problems with showing films in an exhibition context and why cinema is here to stay

Die Künstlerin Antoinette Zwirchmayr spricht im Interview über ihre Arbeit "Schliere im Aug", die Rolle von Körperlichkeit und die Materialität von analogem Film

The author and film critic Bert Rebhandl on cinema as centenary installation

An expanded lecture by David Quigley on the friendship between artist George Maciunas and the filmmaker Jonas Mekas and the famous "Expanded Arts" issue, Maciunas edited for Mekas' magazine Film Culture

Der Experimentalfilmemacher und Filmhistoriker Hans Scheugl über die Sonderstellung des experimentellen Films zwischen Kino und Kunst, warum Österreich in der Geschichte des Experimentalfilms eine besondere Rolle spielte und was vom Kino "immer wieder überbleibt"

In his talk, Evan Calder Williams revisits his book “Combined and Uneven Apocalypse“ from 2010, and argues that the source of our collective obsession with apocalyptic imagery is the fact that the end of the world is not an event, but something permanently underway as it already exists in zones of poverty and capitalist fuelled destruction of the environment.

With exhibiton views by Markus Krottendorfer

In ihrem Vortrag spricht Sonja Rinofner-Kreidl (Institut für Philosophie, Universität Graz) über kritisches Denken und analysiert die Arbeit „American Reflexxx" von Signe Pierce.